Mix Engineer — Indianapolis, IN
Over a decade mixing records for artists who don't compromise. King Buffalo. All Them Witches. Handsome Jack. The music doesn't lie, and neither does the mix.
Recent Work
Before touching a single plugin, the mix starts with faders and pans only. If the song doesn't work there, it won't work anywhere. This becomes the foundation — what the music sounded like when it was originally coming together in the studio. I keep that original mix as a reference point through the entire process to make sure everything we do is serving the music, not fighting it.
This approach is rooted in how records were actually made from the '60s through the '90s. It feels more musical, less clinical. It's a big part of why mixes that come out of here don't sound overproduced — because the process doesn't allow for it.
From Clients
Working with Grant was one of the best experiences we've had as a band. He really cared about our project and the process it would take to get from concept to completion.
Hearing Grant's ability to paint with the sounds we had captured reminded me of records like The Beatles, Led Zeppelin, The Who — mix engineers who were artists.
Grant's ability to add punch and flavor to drums, and space, style and psychedelic sauce to vocals is incredible. He always brings something extra and unexpected to the project.
Discography
Whether you're tracking in a cave or finishing at home, the goal is the same — your music sounding exactly like it should. Reach out and let's talk about your project.
