Mixing
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Garrett Thorn’s acoustic LP reflects his artistry’s essence, showcasing emotional depth. The project evokes memories of Nashville’s vibrant musical scene and collaboration with diverse talents.
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Mixing live records is something special—it’s like bottling lightning, capturing the raw energy and emotion of a performance so listeners can experience it again and again. After years of running front-of-house sound on the road, I’ve developed a deep appreciation for what makes a live recording truly stand out. It’s not just about getting a
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Two talented brothers collaborated on a captivating live recording at the Northland Pines Theater, showcasing genuine Americana music and marking the start of future projects together.
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King Buffalo made history as the first rock band to headline Burning Man in 2022, marking a personal transition for me towards studio production.
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The collaboration with Garrett blossomed into a lasting friendship, allowing for creative freedom and effortless mixing, fostering excitement for future musical projects together.
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My collaboration with Aiwass on their album “The Falling” shaped a distinct soundscape, highlighted by the track “Prometheus,” embodying our shared musical vision and creativity.
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The Trujillo Company, my first collaboration in Denver, captured unique sounds in a transformative warehouse. Eagerly awaiting our next project, I celebrate the city’s musical energy.
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In a secluded cabin, we created JR Redford’s album “Reflections,” bonding through isolation and sonic exploration, resulting in a unique and heartfelt musical journey.
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The extra time during the creation of JR’s album “Reflections” allowed for experimentation, creativity, and the opportunity to film songs, effectively documenting the experience.
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King Buffalo’s Acheron album captures a unique recording experience in Howe Caverns, featuring a live, 12-hour session that showcases exceptional musicianship and natural acoustics.
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Get Humble showcases Handsome Jack’s evolution through a departure from traditional methods, embracing digital recording to create a richer, more expansive sound while preserving their energetic core.
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Some albums are just records—others are personal landmarks. Promises is the latter. This album wasn’t just another project; it was a reflection of years of friendship, collaboration, and mutual growth between JR and me. Our story goes back to 2009 when I first landed in Nashville, and ever since, we’ve been creating, evolving, and pushing
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Mixing War on TV was one of those projects that kept me sane during the lockdowns—a much-needed creative outlet in a time when everything felt uncertain. This alternative rock band out of Indianapolis brought something completely fresh to the table, pushing boundaries with intricate arrangements and songwriting that kept me on my toes. Every track
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My collaboration with King Buffalo on their impactful EP, Dead Star, was a remarkable experience that pushed creative boundaries and captured their live sound perfectly.
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Handsome Jack’s vintage recording of a Wilson Pickett classic showcases their exceptional raw performance, brilliantly captured on an 8-track, resulting in a delightful mix.
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This project reflects a unique musical journey with Handsome Jack, featuring live tracks recorded on vintage equipment, resulting in an authentic and creative sound ready for success.
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In 2016, GLDED contacted me to collaborate on his debut EP, rekindling our childhood friendship and leading to an enriching creative experience in Nashville.
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This was my first time mixing for ATW, and what a way to kick things off. The band had a stash of unreleased tracks they were ready to share, including a dub version of Open Passageways—and when they hit me up to take it on, I didn’t even have to think about it. Dub has
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